Nature of the Soul, Competing Wills, Energy, Matter, and Concession stand workers.
“As you splay out in the theater recliner, you know that screen actors, the audience, and concession workers perceive energy in a particular shape, function or form - and then call it ‘matter’.
The perceptive ‘forms’ of matter and energy create all the beautiful things our eyes, ears, and fingers caress.
Having kicked your steel toed boots off, the relation between perception and dreams is clear, beckoning us to realize that we’re its creator.”
To have a better time in today’s matinee, stroll into the glossary to define the metaphors: LIGHT, Carnival, Rodeo Clowns, Stetson, Theater, carnival master.
In this image, the character ‘X’Tzu’ from ‘11:11 El Luchador Gauntlet’ is contemplating the esoteric spell of angles, knowing that ‘how they create’ allows you to reject or consent to more vivid feature shows.
When you realize you’re in a theater (or another useful metaphor), you can begin to actualize your Will, manifesting the dream-like ‘reality’. Here, one navigates in joy, immune from the attachments to the actions and dreams of other competing wills.
“While you lean back, let me tell you about a line a famous actor once said...
‘The law of conservation of energy indicates energy cannot be created or destroyed’.
I reckon, but only in the sense that some-thing created by mind(s) will always be re-created. After all, how useful is it to destroy an illusory-like movie production when the mind can simply rebuild it?
All energy is temporal. The only difference between energy and matter is the number of translucent roadway maps laying above its observation.
The soul is energy, temporal in nature, and quite a few feet away from its original essence (the projector), which some label ‘the creator’.
Yep, souls are subject to energy entropy, spirit is not.
But all is good… you’ll see.”
The ferris wheel represents ‘time’, while the light symbolizes the in-form-ation that is coming ‘in’side you and ‘forming’.
“Before the silver screen, a thought creates distinctions where they bounce around for entertainments sake.”
Here in the landscape of fractals, we find it us who are the competing wills.
“The sound of thought vibrates like a 4D theater seat. This vibration is energy, whose creation and observation hosts the perception of light (including glowing neon beer signs).
A second thought, from a more complex source divides the ‘light’ into angles. Angles grouped from the original numbers (1 through 9) then construct all larger numbers.
(123,456,789 is a lot of frames in a movie).
These numbers form symbols to create letters, words and concepts. - geometric and constructed like the spokes of a Ferris Wheel in a feature flick.”
Our higher-self creates distinction, then the small self designs details through time, angles, and light.
“When wearing a ‘wristwatch’ (a metaphor for seeing from the perspective of time), each movie frames fractal nature is seen from within the theater as ‘cause and effect’. Outside, where the movie’s not playing, it’s seen as a timeless playground.”
In this theater, we know exactly how the ‘trinity’ operates.
“‘Movie Producers’ know this creation-formula is the key to modify existing thought-forms within the crystalline motion picture of duality.”
Choice and Will reside in the imaginary machine of ‘duality’.
“The reciprocating fractal nature of all thoughts, when introduced to discordant angular reflections collapse, like inverted waves that cancel one another. Our misaligned projectors then cast moiré patterns upon velvet curtains.”
The movie projector is a metaphor for a ‘creator’. The seats of the theater; the souls of those experiencing its ‘creation’.
“This is where the unlearning of common perception reveals angles appearing to move from ‘harmony’ to ‘disharmony’, and vice-versa.”
The Twin Inferno Phoenix reflects the ‘light’ of other souls, while radiating ‘light’ and playing its own movies and productions.
“Dis-harmony disassembles and re-constructs, looks like dust in a projectors lens, a warped screen, and theater lights turned on to shake you from your suspension of disbelief.”
Matter and energy are two ways of looking at the same creation. Their constructive angles stand around with their fingers crossed behind their back, hoping you won’t notice!
The ‘ferris wheel’ of time represents that which is always created ‘when’ever and ‘where’ever the sensation of ‘light’ occurs.
In the theater of experience, we can be what we wish - especially if we know that the film is playing by our consent.
Creation and destruction occurs in the theaters of our imagination.
Declarations
Here in the theatre, I’m a Will that transcends the traditional understanding of harmony and disharmony.
Sitting beneath the projector, I’m a soul that knows disharmony is a sign of resistance with reason, and the silent partner to what harmony’s original essence speaks.
Inside the theatre, it’s clear that disharmony is the marquee of competing creative Wills.
From behind the screen, I understand disharmony is only seen through the lens of ‘time’, and from a minds-eye looking at a smaller portion of the universal picture.
‘Energy’ is no longer circularly defined as ‘energy’ when I’ve left the theatre.
Thoughtforms are challenging to extricate yourself from, especially if you haven’t realized that you’re the one at some point who gave them permission to modify your perception and behavior.
Kick in the pants
Shake yourself from your suspension of disbelief. Consider this… Do you think energy entropy is really just the ‘appearance of chaos’ from competing wills? How does energy entropy and the nature of soul speak to the same thing? Is it because the soul is made of energy?
You want to understand the real key to creation. You can.
Grab a popcorn…