Reincarnation attachment - Is this your stop? Explore the existence of will, choice, and rebirth.
Last stop in the reincarnation station – All Aboard! Tickets please…
Step outside 'The Carnival' where reincarnation attachment is a symptom of choice.
Our life’s stories are chiseled with our own hands, ‘before’ we were born. Whew! Time means nothing ‘before’ then. This doesn’t pull the soiled sheets out from under the existence of Will. But you thinking so, if you are, is the reason you’ve believed fate was a headlock you could never get out of. Fate, well… it’s nothing more than freewill in the now, awareness bent through thick geezer glasses.
MOVIE
A loose metaphor comparing the ‘creations’ of those who use the thought process to a film that is produced and viewed by itself and ‘others’. Observers may or may not suspend their belief when watching a movie.
X’Tzu is hanging back by the tracks of distinction… they’re as big as the mountains and as wide as the skies.
In this image, the character ‘X’Tzu’ from ‘11:11 El Luchador Gauntlet’ is choosing if he ‘wants to come back’.
AIRSTREAM
Although an Airstream is an aluminum travel trailer, it is used here as a metaphor for the physical and energetic ‘body’ that is sometimes identified as the body and soul.
In this image, the gears of soul are shown posing with the ‘hat of mind’.
CARNIVAL FENCE
The transition point between perceiving in the Absolute and Relative
ILLUSORY-LIKE
Used to denote that the strict definition of ‘illusion’ is not adequate to fully describe in normally used temporal words (note: all words are temporal). In this case, the word illusion infers not the typical ‘magic’ trick or optical (5 sense) deception, but speaks to the dissimilarity of the essential nature with thought created creations, and the inherent lack of questioning regarding which source is the base for the other (there is no yin/yang template, no duality or complementary relationship). The essential nature is ‘singularly’ real while that which extends from it is illusory-like.
Much of the dogma surrounding 'rebirth' and 'reincarnation' is supported by the language we use. By its nature, the very structure of thought is built in suggestions that undermine the very act of questioning the distinctions it's built.
OBSERVER
The essential nature incorporates the observer as a component (defined here using temporal words as best as possible), which feels in the present, but can be obscured by the process of observing, and may mistake ‘the observed’ as something more than the creation of its and ‘others’ thoughts (also see; process of observing and observed).
WRISTWATCH/CLOCK
The constructs and unexamined language and assumptions that imply that time is not created by thought. The ‘wristwatch’ is one of the most persistent illusions.
I am no longer attached to life and death.
I am no longer attached to my experiences.
I am no longer attached to my creations.
I am no longer attached to mind, or my hat (which symbolizes the thought process).
I am no longer attached to language.
I am no longer attached to ‘things’.
I am the embracer of choice.
I am in my sovereign, residing in the ever-present.
The ‘glasses of perception’ can be quite demanding that memories be retained, all so it can reinforce its ego.
When the bull tramples the ‘hat of mind’ and all of its ‘things’, it has opened up a new rodeo ride.
FLOOD
A metaphor alluding to the Absolute (see def) and the Essential Nature (see def).
TORRENT
A metaphor referring to raging unstoppable water that represents the Absolute (see def). That which has no mutually arising component or polarity.
CHUMBA
Also known as Chumba Cruz. He is Xavier’s internal and external antagonist who works in a real and metaphorical carnival by day, and fights in a real and metaphorical Luchador arena by night. Chumba represents a singular Will and a universal Will that engages in higher rebellion. He uses techniques that reinforce his and others delusions.
The dreams of existence and non-existence dissipate when you’re completely present.
When the mutually arising sensation of existence and non-existence evaporate, so does the solidity of life and death.
‘Life and death’ remain in the dualistic recognition, but their emotive power, ‘finality’, despair, and fear are washed away.
The metaphors of ‘hat’, ‘boots’, and ‘overalls’ all refer to the clothing of the higher-self. And although all ‘things’ and ‘experiences’ are recorded in the dualistic imagined universal fractal (akashic records), the higher-self rarely finds need to use that library.
One ‘Airstream’, one soul, one ‘i’. The bodies energy rusts away, but the essence remains the same.
The flood is a place of transient eddies. Sometimes hats, gears, and souls can be seen floating in its torrent.
In this image, the character ‘X’Tzu’ from ‘11:11 El Luchador Gauntlet’ is coming to terms with the realization that even ‘Will’ is like an eddy.
Here, X’Tzu is enjoying the ‘light’ that other Wills created.
In this image, X’Tzu is entertained by the ‘light’ he’s creating.
Desire streams by X’Tzu, it comes in the form of ‘light rays’. Some of this ‘light information’ passes by, while other rays he chooses to ‘in-form’..
Excerpted from the 11:11 EL Luchador Gauntlet
Come on over to the Alchemy Lounge and order a tall glass of 42 proof liquid light.